Back In Time For Imperial Examination Chapter 175

The characters in the new play were easy to draw, but after establishing them, Ryan Cui realized that he had dug a hole for himself.

These characters do not overlap with the characters in the current operas on the market. If he wants the audience to identify with his characters, he has to write more roles for these thousand households to show their personalities. That would go against his original intention of easily filling the Jinyiwei drama with fighting scenes.

Ryan Cui looked at the increasingly thick renderings with a headache, and felt that his play had to be serialized.

Northern opera has four acts, and each act has only ten pieces of music, which means that not much can be expressed. Either it is like the Water Margin from the Song and Yuan dynasties, where everyone plays a leading role in a play and then they perform together at the end; or it is like Southern opera, where a play is stretched into more than ten or twenty acts, with actors appearing one after another and the story line slowly unfolding. But both have great flaws.

If he were to write a series of zaju, there were already too many zaju with Ge Qianhu as the soul male protagonist on the market. His series would be drowned out by the flood and would not stand out. The difficulty in writing southern drama is that it is difficult to find people - now the advantage of northern drama over southern drama is overwhelming. There are few people who write southern drama. They are in Beijing, so they can't find such authors.