Fame's Unforgiving Light Chapter 51

In Ethan Stone's opinion, this is a good thing for both himself and Oliver Scott. They can concentrate on shooting these scenes with physical contact and then play strangers they just met. The actors' hallucinations and the filters they brought from the play to outside the play will fade a lot.

The first day was spent filming a scene inside the car. The shot was only two or three seconds long, and we didn’t rehearse it privately, but the two leading actors were very dedicated and it went through in two takes.

The next day's scene was also passed within three takes.

The frequent scenes that required physical contact made Oliver Scott's nerves highly active, but he had thought calmly beforehand and knew that he had to distinguish between the play and reality. No matter how intimate they were in the play, they could not bring it into reality.

On that day, he was strongly influenced by the play and lost his sense of proportion. The illusion brought by acting can easily make one lose his sense of proportion. But in fact, outside the play, Ethan Stone is not such a proactive person and will not express his love out loud.