Living The Art Agony Chapter 16

After getting in the taxi, Torry went through the people and events he had recently encountered in his mind, and he had already formed an idea. The fact that he was being followed did not affect his sleep quality. The next morning, after he was no longer drunk, he called Liam and said that he had something else to do and would not be working at the bureau, and then went to the Provincial Museum again.

"Paintings also have Feng Shui." Since the "Great Painter" left this sentence, it is almost certain that only by solving all the mysteries related to the painting in this case can the case be completely solved. At present, all his questions can be summarized into two points: First, where is "Fishing Village Autumn Clearing"? If he finds this picture, he will be on the same track as the "Great Painter". Second, does "Fuchun Mountain Dwelling" have any secrets that he does not know? This picture is the opening work of the "Great Painter". It not only points out the theme, but also summarizes the whole text and lays the foundation for the following. If you can't digest this picture, it is like a blind man touching an elephant.

The newly opened Provincial Museum was still deserted. Torry stood in front of the fake "Fishing Village Autumn Clearing" again, wishing the painting could tell him who made this fake that looked so real. After thinking for half an hour, he shook his head and decided to visit Director Jin again.

Director Jin is old, and his hangover-relief ability is obviously not as good as Torry's. In a daze, he thought that Torry's visit again in a short period of time was either to learn more about the production of counterfeits or to supervise his contact with several units. However, Torry's question was beyond his expectations.

"Uncle Jin, I came here today to ask you what you think about the Feng Shui layout of Dwelling in the Fuchun Mountains. After all, this painting has just been exhibited at the Provincial Museum, and you are the curator, so you must have a deeper understanding of the painting."