The Possessor of gods Chapter 35

By: Zhong Wei
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The Kingdom of Hitaya and the Kingdom of Leonard, where Sydney originally stayed, have completely different architectural styles.

The Leonard Kingdom loves tall buildings. Triangular roofs and cone-shaped spiers appear staggered on the roadside. The large stone walls on both sides present a heavy sense of history. From time to time, you can see black iron street lamps and some protruding black iron street lamps with unique texture that have experienced vicissitudes of life on the walls. small balcony. Large groups of spider plants or ivy hang down from the balcony, as beautiful as a green waterfall.

But if we want to talk about the kingdom of plants, it must belong to the land where Sydney now sets foot - the Kingdom of Hitaya. The people of the Kingdom of Hitaya are particularly warm and romantic, and the architectural style is also very distinctive. The streets on both sides are not cold and thick stone walls, but have a wooden style, and the overall colors are warmer. Rose red, orange, apple green and lake blue are splashed everywhere, showing a particularly indulgent romance and happiness.

Beautiful flowers can be seen everywhere. On the wall are vibrant thousand-leaf orchids, with tiny and delicate leaves hanging down, fresh and cute. There are also many uninvited "guests" secretly growing in the corners and climbing on various signboards to decorate the store even more special. The roadside and balconies are even more occupied by warm colors. The gray-purple love vines sway in the wind under the window sill, the gentle blue storm blooms into a lavender landscape, and the champagne-colored cut flowers Juliet are the favorites of girls. Just take a look and smell it, I feel like my mood is soaring.

Flowers compete for beauty, and here they are the protagonists. This is something Samantha has never seen or felt before, whether in the Gem City or the Leonard Kingdom. It’s not that there aren’t flowers planted in other places, but they don’t feel so overwhelming, as if they’re being submerged.

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