"Sata religion." Adrian Mu's cold voice carried a hint of the remoteness and chilliness that is unique to the snowy mountains.
Nathan Ke confirmed his guess, but he had more questions: "Hasn't the teaching of the Satā religion always been to persuade people to be good, to save the world, and to see through the seven emotions and six desires and achieve complete liberation? How could there be 'that kind of thing'? Could it be that the world in the painting is not all scary and horrible?"
"The Satya religion itself is a fusion of many religions," Mu said happily. "In the eleventh century, many branches were formed. The pantheon in the Satya cultural system is not only composed of gods with great compassion and mercy who save all living beings, but also includes many pagan images and even demons. In the interpretation of Satya doctrine, as long as the pagan image is conquered by Satya teachings, it can enter the Satya pantheon, and these demons can be driven by those with high cultivation."
Nathan Ke: "...I sense the deep malice of the gods."
Mu looked at him with a smile and said, "If you knew the time when this painting was completed, you might feel it more deeply."
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